My practice
is tactile, intuitive, and rooted in making.

My process is both slow and impulsive, and always non-linear. Work emerges through circling, layering, experimentation, and not knowing, shaped by what reveals itself along the way rather than a fixed outcome.


My practice asks:

What happens when I stop trying to control the outcome and start listening instead?

What happens when I move through the world guided by feeling and intuition rather than logic and control?


It is as much a way of being as it is a way of making— an ongoing exploration of creating through feeling, intuition, and curiosity.

Within this practice, Wet Patience unfolds as an evolving brand using clothing as a primary medium for countercultural expression. Positioned between fashion and art, it resists a world that prioritizes speed, productivity, and performance. Surf culture and 70s rock come together to shape the visual language and spirit of the work, informing an ongoing search for ways of being and living that feel more free.

  • Documented along the California coast, from San Francisco to Santa Cruz

  • Shown at CCA, April 2026

  • Shown at CCA, May 2026

  • 250 page book documenting process and product

  • Pop-up shop selling custom bandanas, hats, pins, and notebooks


Circling Light explores shadow through the form of a sponge. I began by sculpting and observing sponge objects, following their cast shadows and silhouettes. These shadows were enlarged, cut, and re-situated across different environments, where new interactions began to emerge. Through repeated printing, layering, and recombining, it became a generative process, where I moved through several iterations and allowed the work to evolve through accumulation. The final risograph prints were bound into books, where shadows continued to meet and shift across opposing pages.

Commissioned paintings and photography. Bright colors, large-scale, and made to bring a little more life into a space.